CEO, Founder, L.A. Performing Arts Conservatory, laconservatory.com
Being an actress first, when I began to study screenwriting with Syd Field, one of the major principles that he taught me: Dramatic Need – really struck a chord with me. Below is a discussion of how now, years later, I teach dramatic need to actors, writers, and directors.
To my astonishment, the first three months of 2017 found me in cosmopolitan Singapore. Employed as the Project Director of a professional training program entitled WritersLab, I was there to help evolve the quality of television writing for the local market, and hopefully, make it more competitive across Southeast Asia. It was a ten-week, TV pressure cooker that leveraged pretty much every skill I’ve acquired over thirty-five years in the entertainment industry.
Why Screenplay Is On My Bookshelf
By Jim Hillin
1987. I was beginning to realize my chosen profession of being a visual effects artist was a little dubious. Several companies around the world had shut down in bankruptcy that Fall and I thought, “Maybe I should have a backup profession.” I went to my local bookstore and inquired about books that discussed writing for film.