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Syd Field - “the guru of all screenwriters” (CNN)

BOOKS

Syd Field Screenplay

His internationally acclaimed best-selling books Screenplay, The Screenwriter’s Workbook, and The Screenwriter’s Problem Solver have established themselves as the “bibles” of the film industry.

VIDEOS / INTERVIEWS

masterscreenwritingclass_sydfieldliveView videos and interviews for a small glimpse into Syd’s teaching life. For more interviews Syd conducted with screenwriters, visit the blog.

SCRIPTOR APP

icon_512x512Syd Field Scriptor is a screenwriting app that helps writers bring their stories to life using the techniques championed by Syd Field.

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(NEW Advanced Scriptor App coming soon)

SYD FIELD’S PASSION AND MISSION

Syd FieldSyd was deeply enthusiastic about storytelling, movies and teaching.  While a writer’s inspiration may come from the heart, Syd wanted the world to know that the craft of screenwriting could be learned. Writer/Director Judd Apatow said, “Syd Field wrote screenwriting books which did exactly what they were supposed to do – they made screenwriting seem possible.”

Syd’s love of film, his masterful understanding of storytelling, and his skillful expression of his ground-breaking paradigm for screenplay structure, has benefited writers, directors, studio executives, independent filmmakers, and ultimately the global audience. Mentoring writers delighted and excited Syd, who recorded and filmed a number of webinars and classes, many of which are yet to be released.

Aviva Field, Syd’s wife, as well as his long-time protégés and contributors to this website, are devoted to honoring his mission. This site is imbued with Syd’s heart and spirit, embodied here as an internet resource for screenwriters and storytellers. We are committed to bringing projects to fruition that were started by Syd.  A documentary about the impact of his teachings around the world will be produced by Aviva.

It is our fervent desire to sustain Syd’s legacy; to ensure that his method stays true in its intention, continuing to motivate and empower the creation of compelling screenplays by new and seasoned writers for generations to come.

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"I've gone from reading his books, to being taught by him in courses! I think one of us must have done something right! I thank him all the time for inspiring me."

Frank Darabont, Writer/Director ``Shawshank Redemption``

Products

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Screenwriters Problem Solver-syd-field_medium
Click to Purchase at the Writer's Store
Four Screenplays by Syd Field
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Selling a Screenplay by Syd Field
Click to Purchase at The Writer's Store
The Definitive Guide To Screenwriting

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Contributed Posts and Events

Where Does It All End?

By Valerie C. Woods

One of the most valuable “oh, I get it!” moments studying with screenwriting mentor, Syd Field, was the first time Syd spoke about his groundbreaking Paradigm. More specifically – Syd stated that the first thing needed to begin was to know the end. As a young writer, this was a bit of a surprise.

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In Pursuit Of The Singular Art by Valerie Woods

“Adaptation is both a skill and a challenge.” These are the words of legendary author and screenwriter, Syd Field (1935-2013), acclaimed as “the guru of all screenwriters” (CNN). Syd goes on to say, in his seminal book, Screenplay – The Foundations of Screenwriting: “The verb to adapt means ‘to transpose from one medium to another.’ Adaptation is defined as the ability ‘to make fit or suitable by changing, or adjusting’ – modifying something to create a change in structure, function, and form… It is a singular art.”

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From the Blog

Screenwriting Webinars by Syd Field

In his last interview on November 8, 2013, Syd spoke about his passion: “The whole purpose of my teaching is to inspire people to access their own creativity, that mission has driven me forward all the way from the beginning. Let people know, and give people the tools to access their own inspiration, and then they’ll do the rest.”

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Q&A With Syd Field

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Partial re-post of the interview from The Writers Store, click to read the full interview

How much thought do you think writers should invest in terms of tracking the broad strokes of the protagonist’s emotional journey when structuring the story?

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Evolution/Revolution

In all my screenwriting courses and workshops around the world, I’ve read thousands and thousands of screenplays. Exactly how many, I really don’t know. I lost count many years ago. But no matter what country or city I happen to be in, I am usually asked the same question over and over again: what do I find to be the biggest and most common problem of screenwriters?

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THE ART OF PITCHING


Make no mistake; pitching is an art. Every screenplay begins with an idea and if you want to write a screenplay based on your idea, then the chances are you’re going to have to pitch it to someone; it could be a producer, a director, a production executive, an agent or anyone in the business.

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Contributors

Valerie Woods

Valerie Woods

WRITER, PRODUCER, AUTHOR

Ms. Woods began writing when, as a struggling actress in New York, she couldn’t find suitable audition material for women of color. This led her to write a book of audition monologues, Something for Everyone (50 Original Monologues). The book was initially self-published and is now published by renowned theatrical play publisher, Samuel French, Inc.

Sharon Buckingham

Sharon Buckingham

WRITER, PRODUCER

Sharon Buckingham is a well-known screenwriter and producer with both television and feature credits. She teaches the Syd Field screenwriting method® and acts as a script editor and consultant.

Natalia Lazarus

Natalia Lazarus

SCREENWRITER, ACTOR, DIRECTOR & ARTISTIC DIRECTOR OF THE LOS ANGELES PERFORMING ARTS CONSERVATORY

Artistic Director, Natalia Lazarus is at the helm of The Promenade Playhouse and it’s subsidiaries: Promenade Conservatory, now LA Performing Arts Conservatory, a degree granting University. 3rd Street Comedy, The Promenade Players Theatre Company, and the Creative Keys to Success Series, the Acting, Writing, Directing and Personal Growth technique that she created and developed.

Jim Hillin

Jim Hillin

SCREENWRITER & VISUAL EFFECTS SUPERVISOR

Jim came to Los Angeles in 1979 as an artist, animator and musician. He began his career in computer graphics at a small start-up company in 1985 in Pasadena, CA, while simultaneously attending The Art Center College of Design. He worked hard, learning the engineering side of the craft over the next several years while garnering his first television, location-based entertainment and feature film credits in the 1980s. In 1987, after helping a friend writing the ending of her film, he started writing his first screenplay.

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