Syd Field
  • HOME
  • SYD FIELD
    • Syd’s Legacy & “Screenplay”
    • Talks with SYD – Videos
    • The ASA Screenwriting Hall of Fame
  • PRODUCTS & RESOURCES
    • Scriptor App
    • Books
    • DOCUMENTARY – SYD FIELD: WHAT’S THE STORY?
    • Syd Field Paradigm Chart Analyses
    • Main Story Beats Analyses
    • Film & Paradigm Analyses
    • Writer’s Tools
    • Paradigm Worksheet
    • Essays by Syd
    • ScreenPlay Interview Series by Syd Field
    • Syd Answers Classic Screenwriting Questions
    • Interviews
    • BLOG
  • SCREENWRITERS CORNER
  • CLASSIC SCREENWRITING QUESTIONS
  • EXTRA
    • Testimonials
    • Contributors
    • Contact Us
    • Our Team
    • Links
    • Networks
    • Newsletter
    • Terms of Service
    • A Note from Aviva Field
check box - Syd Field's Check Points For Writing A Better Screenplay

Syd Field’s Check Points For Writing A Better Screenplay

July 4, 2013

Check to:

1. Make sure your characters and story are set up within the first ten pages. Did you introduce your main character(s), establish the dramatic premise, and indicate the dramatic situation, the circumstances surrounding the main character?

Read More

THE PARADIGM WORKSHEET

July 4, 2013

Listen to “The Paradigm: A Brief Introduction”

http://sydfield.com/wp-content/uploads/2013/07/intrototheparadigm.mp3


“Screenplays are structure.”

— William Goldman

screenplaynewcover - THE PARADIGM WORKSHEET

Buy @ Amazon.com

Dramatic structure is the foundation of screenwriting.

The word itself means “to build, or put together,” and understanding how it works is essential to the craft of screenwriting. Simply put, structure holds the story together; there is a beginning, middle and end, (not necessarily in that order), and a point at which the beginning turns into the middle, and the middle turns into the end.

That point is called a Plot Point. It is any incident, episode or event that hooks into the action and spins it around into another direction; in this case, either Act II or Act III.

videoshawshank - THE PARADIGM WORKSHEET

The Shawshank Redemption

There are many plot points in a screenplay, but in the creation of the story line, the most important are Plot Point I and Plot Point II. The four elements of structure, beginning, Plot Point I, Plot Point II and the ending, will always hold your story in place.

This is illustrated on the Paradigm, a model of what a screenplay is if you look at it like a painting hanging on the wall. The Paradigm of The Shawshank Redemption shows you how it works.Simply download the blank Paradigm and use the few brief exercises as an opportunity of practicing the craft of dramatic structure.

Sincerely,

sydsignature - THE PARADIGM WORKSHEET

DOWNLOADS

PDF Worksheets & Exercises (Acrobat Reader Required)

“The Paradigm Worksheet” – The Blank Form
“The Paradigm Worksheet” – The Shawshank Redemption
“The Paradigm Worksheet” – Exercise #1
“The Paradigm Worksheet” – Exercise #2
“The Paradigm Worksheet” – Exercise #3
“The Paradigm Worksheet” – Exercise #4

Subscribe to our e-mail newsletter to receive updates.

  • This field is for validation purposes and should be left unchanged.

Blog Categories

  • Guest Blog
  • Latest News
  • Other

Resources

  • Classic Screenwriting Questions
  • ScreenPlay Interview Series
  • Essays by Syd
  • Film & Paradigm Analyses
  • The ASA Screenwriting Hall of Fame
  • Interviews
  • Writer’s Tools
  • Syd’s Legacy & “Screenplay”

Copyright 2025 - Screenwriters Inc. All Rights Reserved | Privacy Policy | Terms of Service

Contact Us